Prof. Dr. Chartchalerm Isarankura-Na-Ayudhya
Dean of Faculty of Graduate Studies
Curriculum
MASTER OF MUSIC PROGRAM (INTERNATIONAL PROGRAM)
| Level | Master's |
| Faculty / Institute | COLLEGE OF MUSIC |
| Website |
http://www.music.mahidol.ac.th |
Degree Designation
MASTER OF MUSIC
Major
Admission Requirements
Curriculum Structure
| Plan A2 | |||
| Prerequisite Course | No Credit | ||
| Core Courses | 2 | Credits | |
| Required Courses | 16 | Credits | |
| Elective Courses not less than | 6 | Credits | |
| Thesis | 12 | Credits | |
| Total not less than | 36 | Credits | |
| Plan B | |||
| Prerequisite Course | No Credit | ||
| Core Courses | 2 | Credits | |
| Required Courses | 16 | Credits | |
| Elective Courses not less than | 12 | Credits | |
| Thematic Paper | 6 | Credits | |
| Total not less than | 36 | Credits | |
Job Option after Graduation
- Performers/instructors with expertise in classical, jazz or Thai music styles at undergraduate degree and below
- Composers, composition/ music theory instructor at undergraduate degree and below
- Conductors and ensemble director/instructor at undergraduate degree and below
- Collaborative pianist/instructor at undergraduate degree and below
Course Requirements
Plan A2
| Prerequisite Courses | Credit | ||
| MSJA511 : PERSPECTIVE OF JAZZ HISTORY | 1 | ||
| MSJA512 : JAZZ THEORY REVIEW | 1 | ||
| MSCY521 : PERSPECTIVE OF WESTERN MUSIC HISTORY | 1 | ||
| MSCY522 : PERSPECTIVE OF THAI MUSIC HISTORY | 1 | ||
| MSTC530 : WESTERN MUSIC THEORY REVIEW | 1 | ||
| MSTH512 : THAI MUSIC THEORY REVIEW | 1 | ||
| MSCD508 : PRINCIPLES OF CONDUCTING | 2 | ||
| MSCD511 : KEYBOARD HARMONY REVIEW | 1 | ||
| Core Courses | Credit | ||
| MSMS510 : ARTISTIC RESEARCH IN MUSIC | 1 | ||
| MSMS511 : SEMINAR OF ARTISTIC RESEARCH IN MUSIC | 1 | ||
| Required Courses | Credit | ||
| MUSIC COMPOSITION MAJOR | |||
| MSTC503 : COMPOSITION I | 2 | ||
| MSTC504 : COMPOSITION II | 2 | ||
| MSTC505 : COMPOSITION III | 2 | ||
| MSTC506 : COMPOSITION IV | 2 | ||
| MSTC524 : MUSIC COMPOSITION PEDAGOGY | 2 | ||
| MSTC527 : CONTEMPORARY MUSIC LITERATURE | 2 | ||
| MSTC528 : ELECTRONIC COMPOSITION | 2 | ||
| MSTC518 : ADVANCED ORCHESTRATION | 2 | ||
| MUSIC CONDUCTING MAJOR | |||
| MSMS581 : MAJOR AREA LITERATURE I | 2 | ||
| MSMS588 : MAJOR AREA LITERATURE II | 2 | ||
| MSTC525 : SCORE READING | 2 | ||
| MSCD501 : CONDUCTING I | 2 | ||
| MSCD502 : CONDUCTING II | 2 | ||
| MSCD503 : CONDUCTING III | 2 | ||
| MSCD504 : CONDUCTING IV | 2 | ||
| MSCD509 : INSTRUMENTAL AND VOCAL TECHNIQUES I | 2 | ||
| JAZZ STUDIES MAJOR | |||
| MSJA506 : SEMINAR IN JAZZ COMPOSITION AND ARRANGING | 2 | ||
| MSJA509 : SEMINAR IN JAZZ IMPROVISATION | 2 | ||
| MSMS509 : MAJOR PERFORMANCE I | 2 | ||
| MSMS516 : SMALL ENSEMBLE I | 2 | ||
| MSMS517 : SMALL ENSEMBLE II | 2 | ||
| MSMS552 : MAJOR PERFORMANCE II | 2 | ||
| MSMS553 : MAJOR PERFORMANCE III | 2 | ||
| MSMS557 : MAJOR PERFORMANCE IV | 2 | ||
| MUSIC PERFORMANCE AND PEDAGOGY MAJOR | |||
| MSMS509 : MAJOR PERFORMANCE I | 2 | ||
| MSMS516 : SMALL ENSEMBLE I | 2 | ||
| MSMS519 : LARGE ENSEMBLE I | 2 | ||
| MSMS527 : PERFORMANCE PEDAGOGY I | 2 | ||
| MSMS552 : MAJOR PERFORMANCE II | 2 | ||
| MSMS553 : MAJOR PERFORMANCE III | 2 | ||
| MSMS557 : MAJOR PERFORMANCE IV | 2 | ||
| MSMS566 : TEACHING PRACTICUM | 2 | ||
| MSED503 : PRINCIPLES OF MUSIC TEACHING AND LEARNING | 2 | ||
| COLLABORATIVE PIANO MAJOR | |||
| MSVO505 : ART SONG LITERATURE | 2 | ||
| MSPF505 : INSTRUMENTAL ACCOMPANYING SKILLS | 2 | ||
| MSPF501 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO I | 2 | ||
| MSPF502 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO II | 2 | ||
| MSPF503 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO III | 2 | ||
| MSPF504 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO IV | 2 | ||
| MSPF506 : VOCAL ACCOMPANYING SKILLS | 2 | ||
| MSPF507 : CHAMBER MUSIC LITERATURE FOR KEYBOARD | 2 | ||
| Elective Courses | Credit | ||
| MUSIC THEORY GROUP | |||
| MSTC529 : SEMINAR ON MUSIC ANALYSIS | 2 | ||
| MSJA507 : JAZZ PEDAGOGY I | 2 | ||
| MSJA508 : JAZZ PEDAGOGY II | 2 | ||
| MSJA510 : SURVEY OF JAZZ INSTRUMENTAL TECHNIQUES | 2 | ||
| MSMS504 : SEMINAR IN MUSIC | 2 | ||
| MSMS505 : SPECIAL TOPIC I | 2 | ||
| MSMS506 : SPECIAL TOPIC II | 2 | ||
| MSMS507 : INDIVIDUAL STUDY I | 2 | ||
| MSMS513 : MINOR PERFORMANCE I | 2 | ||
| MSMS516 : SMALL ENSEMBLE I | 2 | ||
| MSMS517 : SMALL ENSEMBLE II | 2 | ||
| MSMS518 : SMALL ENSEMBLE III | 2 | ||
| MSMS519 : LARGE ENSEMBLE I | 2 | ||
| MSMS520 : LARGE ENSEMBLE II | 2 | ||
| MSMS521 : LARGE ENSEMBLE III | 2 | ||
| MSMS527 : PERFORMANCE PEDAGOGY I | 2 | ||
| MSMS528 : PERFORMANCE PEDAGOGY II | 2 | ||
| MSMS584 : MINOR PERFORMANCE II | 2 | ||
| MSMS587 : MINOR PERFORMANCE III | 2 | ||
| MSCY517 : SEMINAR IN THAI FOLK MUSIC | 2 | ||
| MSTC509 : LITERATURE READINGS IN MUSIC THEORY | 2 | ||
| MSTC510 : MUSIC THEORY PEDAGOGY I | 2 | ||
| MSTC512 : ATONAL ANALYSIS AND SET THEORY ANALYSIS | 2 | ||
| MSTC516 : TWENTIETH CENTURY ORCHESTRATION | 2 | ||
| MSTC519 : ANALYTICAL MUSIC THEORY | 2 | ||
| MSTC522 : SEMINAR IN MUSIC THEORY | 2 | ||
| MSTC523 : SEMINAR IN MUSIC COMPOSITION | 2 | ||
| MSTH515 : THAI STRING ENSEMBLE PEDAGOGY I | 2 | ||
| MSTH516 : THAI STRING ENSEMBLE PEDAGOGY II | 2 | ||
| MSTH517 : THAI FOLK MUSIC PEDAGOGY I | 2 | ||
| MSTH518 : THAI FOLK MUSIC PEDAGOGY II | 2 | ||
| MSTH519 : THAI FOLK MUSIC ENSEMBLE ARRANGEMENT | 2 | ||
| MSTR501 : MUSIC AND THEATER I | 2 | ||
| MSTR502 : MUSIC AND THEATER II | 2 | ||
| MSCD505 : CHORAL CONDUCTING | 2 | ||
| MSCD507 : ORCHESTRAL CONDUCTING | 2 | ||
| MSCD510 : INSTRUMENTAL AND VOCAL TECHNIQUES II | 2 | ||
| MSCD512 : SYMPHONIES OF BEETHOVEN | 2 | ||
| MUSIC HISTORY GROUP | |||
| MSVO506 : OPERA LITERATURE | 2 | ||
| MSJA505 : ADVANCED JAZZ LITERATURE | 2 | ||
| MSMS592 : CHAMBER MUSIC LITERATURE I | 2 | ||
| MSMS612 : CHAMBER MUSIC LITERATURE II | 2 | ||
| MSCY507 : SEMINAR IN MUSIC OF THAILAND | 2 | ||
| MSCY511 : EARLY MUSIC | 2 | ||
| MSCY512 : COMMON PRACTICE PERIOD MUSIC | 2 | ||
| MSCY513 : 20TH AND 21ST CENTURY MUSIC | 2 | ||
| MSCY514 : MUSIC HISTORY AND CRITICISM | 2 | ||
| MSCY516 : CONTEMPORARY THAI MUSIC | 2 | ||
| MSTH513 : HISTORY AND LITERATURE OF THAI TRADITIONAL MUSIC | 2 | ||
| MSTH514 : RELATIONS BETWEEN THAI TRADITIONAL MUSIC AND MEKONG RIVER BASIN CULTURES | 2 | ||
| MSTH506 : SEMINAR IN RELIGIOUS AND CEREMONIAL MUSIC | 2 | ||
| MUSIC THEORY GROUP | |||
| MSJA504 : JAZZ STYLES AND ANALYSIS | 2 | ||
| MSTC507 : ANALYSIS OF TWENTIETH CENTURY MUSIC | 2 | ||
| MSTC513 : HISTORY OF MUSIC THEORY | 2 | ||
| MSTC514 : COUNTERPOINT | 2 | ||
| MSTC526 : SEMINAR IN 20TH AND 21ST CENTURY MUSIC COMPOSITION AND THEORY | 2 | ||
| MSTC532 : ELEMENTS OF SONATA THEORY | 2 | ||
| MSTH502 : MELODIC VARIATION IN THAI MUSIC | 2 | ||
| MSTH503 : THAI MUSIC ANALYSIS | 2 | ||
| Thesis | Credit | ||
| MSMS698 : THESIS | 12 | ||
Plan B
| Prerequisite Courses | Credit | ||
| MSJA511 : PERSPECTIVE OF JAZZ HISTORY | 1 | ||
| MSJA512 : JAZZ THEORY REVIEW | 1 | ||
| MSCY521 : PERSPECTIVE OF WESTERN MUSIC HISTORY | 1 | ||
| MSCY522 : PERSPECTIVE OF THAI MUSIC HISTORY | 1 | ||
| MSTC530 : WESTERN MUSIC THEORY REVIEW | 1 | ||
| MSTH512 : THAI MUSIC THEORY REVIEW | 1 | ||
| MSCD508 : PRINCIPLES OF CONDUCTING | 2 | ||
| MSCD511 : KEYBOARD HARMONY REVIEW | 1 | ||
| Core Courses | Credit | ||
| MSMS510 : ARTISTIC RESEARCH IN MUSIC | 1 | ||
| MSMS511 : SEMINAR OF ARTISTIC RESEARCH IN MUSIC | 1 | ||
| Required Courses | Credit | ||
| MUSIC COMPOSITION MAJOR | |||
| MSTC503 : COMPOSITION I | 2 | ||
| MSTC504 : COMPOSITION II | 2 | ||
| MSTC505 : COMPOSITION III | 2 | ||
| MSTC506 : COMPOSITION IV | 2 | ||
| MSTC524 : MUSIC COMPOSITION PEDAGOGY | 2 | ||
| MSTC527 : CONTEMPORARY MUSIC LITERATURE | 2 | ||
| MSTC528 : ELECTRONIC COMPOSITION | 2 | ||
| MSTC518 : ADVANCED ORCHESTRATION | 2 | ||
| MUSIC CONDUCTING MAJOR | |||
| MSMS581 : MAJOR AREA LITERATURE I | 2 | ||
| MSMS588 : MAJOR AREA LITERATURE II | 2 | ||
| MSTC525 : SCORE READING | 2 | ||
| MSCD501 : CONDUCTING I | 2 | ||
| MSCD502 : CONDUCTING II | 2 | ||
| MSCD503 : CONDUCTING III | 2 | ||
| MSCD504 : CONDUCTING IV | 2 | ||
| MSCD509 : INSTRUMENTAL AND VOCAL TECHNIQUES I | 2 | ||
| JAZZ STUDIES MAJOR | |||
| MSJA506 : SEMINAR IN JAZZ COMPOSITION AND ARRANGING | 2 | ||
| MSJA509 : SEMINAR IN JAZZ IMPROVISATION | 2 | ||
| MSMS509 : MAJOR PERFORMANCE I | 2 | ||
| MSMS516 : SMALL ENSEMBLE I | 2 | ||
| MSMS517 : SMALL ENSEMBLE II | 2 | ||
| MSMS552 : MAJOR PERFORMANCE II | 2 | ||
| MSMS553 : MAJOR PERFORMANCE III | 2 | ||
| MSMS557 : MAJOR PERFORMANCE IV | 2 | ||
| MUSIC PERFORMANCE AND PEDAGOGY MAJOR | |||
| MSMS509 : MAJOR PERFORMANCE I | 2 | ||
| MSMS516 : SMALL ENSEMBLE I | 2 | ||
| MSMS519 : LARGE ENSEMBLE I | 2 | ||
| MSMS527 : PERFORMANCE PEDAGOGY I | 2 | ||
| MSMS552 : MAJOR PERFORMANCE II | 2 | ||
| MSMS553 : MAJOR PERFORMANCE III | 2 | ||
| MSMS557 : MAJOR PERFORMANCE IV | 2 | ||
| MSMS566 : TEACHING PRACTICUM | 2 | ||
| MSED503 : PRINCIPLES OF MUSIC TEACHING AND LEARNING | 2 | ||
| COLLABORATIVE PIANO MAJOR | |||
| MSVO505 : ART SONG LITERATURE | 2 | ||
| MSPF505 : INSTRUMENTAL ACCOMPANYING SKILLS | 2 | ||
| MSPF501 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO I | 2 | ||
| MSPF502 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO II | 2 | ||
| MSPF503 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO III | 2 | ||
| MSPF504 : MAJOR PERFORMANCE IN COLLABORATIVE PIANO IV | 2 | ||
| MSPF506 : VOCAL ACCOMPANYING SKILLS | 2 | ||
| MSPF507 : CHAMBER MUSIC LITERATURE FOR KEYBOARD | 2 | ||
| Elective Courses | Credit | ||
| MUSIC THEORY GROUP | |||
| MSTC529 : SEMINAR ON MUSIC ANALYSIS | 2 | ||
| MSJA507 : JAZZ PEDAGOGY I | 2 | ||
| MSJA508 : JAZZ PEDAGOGY II | 2 | ||
| MSJA510 : SURVEY OF JAZZ INSTRUMENTAL TECHNIQUES | 2 | ||
| MSMS504 : SEMINAR IN MUSIC | 2 | ||
| MSMS505 : SPECIAL TOPIC I | 2 | ||
| MSMS506 : SPECIAL TOPIC II | 2 | ||
| MSMS507 : INDIVIDUAL STUDY I | 2 | ||
| MSMS513 : MINOR PERFORMANCE I | 2 | ||
| MSMS516 : SMALL ENSEMBLE I | 2 | ||
| MSMS517 : SMALL ENSEMBLE II | 2 | ||
| MSMS518 : SMALL ENSEMBLE III | 2 | ||
| MSMS519 : LARGE ENSEMBLE I | 2 | ||
| MSMS520 : LARGE ENSEMBLE II | 2 | ||
| MSMS521 : LARGE ENSEMBLE III | 2 | ||
| MSMS527 : PERFORMANCE PEDAGOGY I | 2 | ||
| MSMS528 : PERFORMANCE PEDAGOGY II | 2 | ||
| MSMS584 : MINOR PERFORMANCE II | 2 | ||
| MSMS587 : MINOR PERFORMANCE III | 2 | ||
| MSCY517 : SEMINAR IN THAI FOLK MUSIC | 2 | ||
| MSTC509 : LITERATURE READINGS IN MUSIC THEORY | 2 | ||
| MSTC510 : MUSIC THEORY PEDAGOGY I | 2 | ||
| MSTC512 : ATONAL ANALYSIS AND SET THEORY ANALYSIS | 2 | ||
| MSTC516 : TWENTIETH CENTURY ORCHESTRATION | 2 | ||
| MSTC519 : ANALYTICAL MUSIC THEORY | 2 | ||
| MSTC522 : SEMINAR IN MUSIC THEORY | 2 | ||
| MSTC523 : SEMINAR IN MUSIC COMPOSITION | 2 | ||
| MSTH515 : THAI STRING ENSEMBLE PEDAGOGY I | 2 | ||
| MSTH516 : THAI STRING ENSEMBLE PEDAGOGY II | 2 | ||
| MSTH517 : THAI FOLK MUSIC PEDAGOGY I | 2 | ||
| MSTH518 : THAI FOLK MUSIC PEDAGOGY II | 2 | ||
| MSTH519 : THAI FOLK MUSIC ENSEMBLE ARRANGEMENT | 2 | ||
| MSTR501 : MUSIC AND THEATER I | 2 | ||
| MSTR502 : MUSIC AND THEATER II | 2 | ||
| MSCD505 : CHORAL CONDUCTING | 2 | ||
| MSCD507 : ORCHESTRAL CONDUCTING | 2 | ||
| MSCD510 : INSTRUMENTAL AND VOCAL TECHNIQUES II | 2 | ||
| MSCD512 : SYMPHONIES OF BEETHOVEN | 2 | ||
| MUSIC HISTORY GROUP | |||
| MSVO506 : OPERA LITERATURE | 2 | ||
| MSJA505 : ADVANCED JAZZ LITERATURE | 2 | ||
| MSMS592 : CHAMBER MUSIC LITERATURE I | 2 | ||
| MSMS612 : CHAMBER MUSIC LITERATURE II | 2 | ||
| MSCY507 : SEMINAR IN MUSIC OF THAILAND | 2 | ||
| MSCY511 : EARLY MUSIC | 2 | ||
| MSCY512 : COMMON PRACTICE PERIOD MUSIC | 2 | ||
| MSCY513 : 20TH AND 21ST CENTURY MUSIC | 2 | ||
| MSCY514 : MUSIC HISTORY AND CRITICISM | 2 | ||
| MSCY516 : CONTEMPORARY THAI MUSIC | 2 | ||
| MSTH513 : HISTORY AND LITERATURE OF THAI TRADITIONAL MUSIC | 2 | ||
| MSTH514 : RELATIONS BETWEEN THAI TRADITIONAL MUSIC AND MEKONG RIVER BASIN CULTURES | 2 | ||
| MSTH506 : SEMINAR IN RELIGIOUS AND CEREMONIAL MUSIC | 2 | ||
| MUSIC THEORY GROUP | |||
| MSJA504 : JAZZ STYLES AND ANALYSIS | 2 | ||
| MSTC507 : ANALYSIS OF TWENTIETH CENTURY MUSIC | 2 | ||
| MSTC513 : HISTORY OF MUSIC THEORY | 2 | ||
| MSTC514 : COUNTERPOINT | 2 | ||
| MSTC526 : SEMINAR IN 20TH AND 21ST CENTURY MUSIC COMPOSITION AND THEORY | 2 | ||
| MSTC532 : ELEMENTS OF SONATA THEORY | 2 | ||
| MSTH502 : MELODIC VARIATION IN THAI MUSIC | 2 | ||
| MSTH503 : THAI MUSIC ANALYSIS | 2 | ||
| Thematic Paper | Credit | ||
| MSMS697 : MASTER'S RECITAL PROJECT | 6 | ||
Program Lecturer
- Lecturer Dr. AMPAI BURANAPRAPUK (PROGRAMME DIRECTOR)
- Associate Professor Dr. ERI NAKAGAWA
- Assistant Professor Dr. PREEYANUN PROMSUKKUL
- Assistant Professor Dr. ANAK CHARANYANANDA
- Assistant Professor Dr. DHANYAPORN PHOTHIKAWIN
- Assistant Professor Dr. NACHAYA NATCHANAWAKUL
- Assistant Professor Dr. JOSEPH L. BOWMAN
- Assistant Professor Dr. NI-ON TAYRATTANACHAI
- Assistant Professor Dr. KYLE FYR
- Lecturer Dr. ATTAKORN SOOKJAENG
- Lecturer Dr. KOM WONGSAWAT
- Lecturer Dr. TANARAT CHAICHANA
- Lecturer Dr. WISUWAT PRUKSAVANICH
- Lecturer Dr. RATTANAI BAMPENYOU
