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วิทยาลัยดุริยางคศิลป์
MASTER OF MUSIC PROGRAM (INTERNATIONAL PROGRAM)
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A PERFORMANCE ANALYSIS OF LUCY’S TWO ARIAS IN GIAN CARLO MENOTTI’S OPERA BUFFA THE TELEPHONE [ 2568 ]
AUTHOR: YANYU ZHU
ADVISOR: Lecturer Dr. RATTANAI BAMPENYOU
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BARITONE VOICES: TRAINING PRACTICES TO EXTEND VOCAL RANGE FOR THE MODERN MUSICAL THEATRE REPERTOIRE AND AN APPLICATION TO TWO PIECES BY ALAN MENKEN [ 2568 ]
AUTHOR: IGOR LAUDISIO
ADVISOR: Assistant Professor Dr. PREEYANUN PROMSUKKUL
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A COMPARATIVE ANALYSIS OF ERIC WHITACRE’S ALLELUIA AND OCTOBER: A CONDUCTOR’S PERSPECTIVE [ 2568 ]
AUTHOR: PIYAWAT BUNRATNET
ADVISOR: Lecturer Dr. AMPAI BURANAPRAPUK
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A STUDY OF THE IMPROVISATIONAL STYLE OF KENNY GARRETT [ 2568 ]
AUTHOR: XINYU ZHOU
ADVISOR: Lecturer Dr. TANARAT CHAICHANA
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SILHOUETTES AT SUNSET: USING KLANGFARBENMELODIE AND CREATION OF AN ORIGINAL PITCH COLLECTION TO ACHIEVE COLORISTIC EFFECTS IN AN ORIGINAL COMPOSITION FOR MIXED ENSEMBLE [ 2568 ]
AUTHOR: AMADEA HALIM
ADVISOR: Lecturer Dr. ATTAKORN SOOKJAENG
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AN ANALYSIS AND PERFORMANCE GUIDE OF JEAN-DENIS MICHAT’S SHAMS: A STUDY OF CONTEMPORARY ALTO SAXOPHONE TECHNIQUES [ 2568 ]
AUTHOR: WEIJIE ZHANG
ADVISOR: Assistant Professor Dr. WISUWAT PRUKSAVANICH
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HIMMAPAN: THE INTEGRATION OF TIGRAN HAMASYAN’S RHYTHMIC INNOVATIONS WITH THAI CLASSICAL MUSIC ELEMENTS IN JAZZ COMPOSITIONS [ 2568 ]
AUTHOR: SIRAWET SRIPUKSACHARD
ADVISOR: Lecturer Dr. TANARAT CHAICHANA
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A COMPARATIVE ANALYSIS OF CANNONBALL ADDERLEY AND VINCENT HERRING ON THREE SELECTED COMPOSITIONS [ 2568 ]
AUTHOR: YUFEI YAN
ADVISOR: Lecturer Dr. TANARAT CHAICHANA
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PRACTICE GUIDES FOR BRAHMS'S VIOLIN SONATA NO.1 IN G MAJOR OP.78 [ 2568 ]
AUTHOR: BHAKASAK JAOWANARIDHI
ADVISOR: Lecturer Dr. AMPAI BURANAPRAPUK
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OPTIMIZING SAXOPHONE FINGERINGS FOR TECHNICAL AND EXPRESSIVE CHALLENGES IN WILLIAM ALBRIGHT’S SONATA FOR ALTO SAXOPHONE AND PIANO [ 2568 ]
AUTHOR: WENZHI LIN
ADVISOR: Assistant Professor Dr. WISUWAT PRUKSAVANICH
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